This is Washington, DC/Producer Ankhlejohn’s seventh studio LP. Breaking out his sophomore effort Van Ghost, produced by Big Ghost Ltd., has given him the last 6 full lengths and eight EPS&7 videotapes in nearly a decade. My other favorites on my record include the aforementioned Navy Blue Production, so below, Rome Street Collaboration Efforts Genesis 1:27 and its recent Cookin Soul-making Michelins earlier this year. August Fanon produced Blu’s acclaimed 13th solo album 40 in April and heard him live! At the disco, I’ve raised my expectations for it.
“Electric Funk Daddy” sets up some woodwinds and keys to make sure you best believe he has some personal shit now, and “Lexus gs300” embraces a more stylish direction when it comes to tools so he can smooth the shit on the microphone for a few minutes. “Emilio Pucci” takes the drum-free chipmunk soul route, giving his flowers to “Lordy Way” before Pucci, the late founder of the Italian fashion house Pucci, which made Funk Reack Reach the Funk talk about making shit, and he knows how: his own shit.
The late “Marion Barry” comes up with a song named after him, letting you all know that Lordy comes from some exquisite synthesizers behind him, and “Long-term Overdue” once again demarcates the soul samples to draw a big robbery that can’t even believe it. “Copy Jazz Club” goes deep into the jazz rap turf and talks about a new starting point, his vision is bigger than others before “Monday Morning”, and he talks thoughtfully about the need for permission from anyone but his mother.
The mixed soul and synthesis of “everyday” shows everyone his imagination to smoke, he smokes in the best mushy found every day, while “Eddie Brock” “Majic 102.3 Vibes” keeps the jazz rap flare, airing people who haven’t paid their dues in the game yet, and “Digital Love” talks in drum-free saxophone is the end of Muhfucka.
I do love the grace of EP, don’t get me wrong, but live! At the disco, almost everyone who makes the Michelin man the best for a while will be praised because his most important time will be deliberated in more and more time. August Fanon’s work on the work earlier this spring in the early 1940s occupied the focus of Chipmunk Soul, jazz rap and Drumless, with the theme of consciousness as the theme of Blu known for supporting Lordy’s popular hardcore lyricism.
Score: 9/10
