Detroit, Michigan veteran Fat Ray returns four years after returning on his 4th album. He was a member of three-man BR Gunna, who, along with Black Milk and young RJ, would eventually drop criminal sleep in 2008, but it wouldn’t come after a full decade. Lunch room mixtapes, then his sophomore effort. Since his debut, Santa Barbera has proven to be the most powerful, and he brought it back to the food of the gods.
After the introduction of “From the Gods”, the first song “Enterberry” is first a creepy boom bap instrument wondering how to sow and harvest, while “Talcum” talks heartfully about owning this powder. The guilty Simpson’s “Cancane” works in guitar samples to warn you’ll be playing with them, but then “Say No,” featuring Danny Brown, jazz rap and drums Fusion together, warning that this is not chess.
“Double It” continues to boast about his doubled sample in “Franky Lymon”, which includes Bruiser Wolf’s atmosphere to talk about who these hoe-heads think it is. “El Hongo (Mushroom)” explains that you either fight or fly to the rap rock vibe before the orchestral “Stash” talks about delivering the ruling. Prior to “Daily Bread,” the final song “Gotta New” has performed his brilliantly since his debut.
In the 15 years after the Black Milk Helps Cook Ray’s critically acclaimed debut, they’re back to a successor, which shows that both of them have grown since then. Sure, sometimes, food from the gods can be weird, which is mostly dirty sound riding, through the streets of motorcycle cities, through the original story, telling the magnificent shot of the bruiser voyage crew so sharp and clever lens.
Score: 9/10
