This is the feature-length studio debut of La Reezy, a host and producer from New Orleans, Louisiana. In 2023, he introduced himself on the Reeborn mixtape, followed by debut EP We All Need Help, followed by “We All Need Help” and “Welcome to La Reezyana” and “Pardon Me, I’m Different” last September’s self-produced Lareezyana Shakedown. I’ll personally tell you that the latter is the greatest thing he’s done to date. However, with help from the leaders of Free99$ and da Uth, Skiddle Bandana has finally arrived.
“Curly Headed Boy” opens with a 96-second homemade intro that talks about his madness, while “Hot” takes a funkier vibe and showcases his growing popularity over the past year. “Family Bizzy” is a deeply touching selection of one man talking about his relatives, leading up to the “normal struggles” of embracing the summer atmosphere and getting away from the problems many of us face.
As for “Pretty Girl Bullshit,” we have La Reezy talking about all things pretty women in a moody instrumental before “How Did You Love Me?” Begins to question the sincerity of women who try to woo him. Following the “Hold Yo Crown” interlude, “Melanate Me” continues to be proud of being African-American in the second half, while “God Forgive Me” recalls protecting a loved one who died of cancer during a robbery.
The title track ends with Skiddle Bandana acknowledging that he could use a hug now, while “Aight” talks fondly and melancholy about having a good time these days. “Gold Chains” is a hilarious continuation of previously explored themes of black excellence, while closer “We Live” wraps up the album’s reflections on every limitation, revealing itself to be a blessing in disguise and encouraging all to open their eyes.
Out of everyone on the roster for the XXL Freshman Class of 2026 a few weeks ago, La Reezy undeniably stood out to me as the most talented artist of the bunch, although Chris Patrick and slayr also deserved that spot. Skiddle Bandana was more conscious of, rather than trying to expand upon, Leader of da Uth’s pop-rap sound, replacing chipmunk soul and bouncing bass with elements of the dirty South and neo-soul.
Score: 8/10
