This is the first full-length album from Brooklyn emcee Chyna Streetz. Starting with her debut EP “Weird Girl Antics” in the spring of 2018, she has released two other EPs, “Hourglass” and most recently “Visions”. That said: I knew From Hell to Chanel had to be Chyna’s next artistic evolution compared to those earlier EPs. Especially considering RFC Music Group in-house producer 183rd made the whole thing from top to bottom.
“Chanel Boy” opens with a flute mix mixed with kick and snare, shouting that we’ve got the right people in, while “Emerald City” sets a somber tone, talking about those who move sloppily even though They are dice players. “Sirens Lullaby” dives straight into g-funk, reminding everyone listening that she’s been channeled into Rome Streetz’s “Matrimony” with his wife Chyna, talking about it richly but still very Hard to believe they found the plug.
Continuing from there, “Bernadine’s Rage” exudes a soulful boom beat that asserts itself as a goddess, while “Dark Night of Soul” passionately keeps the moment going for a minute, with a beat that enhances the ambitious mood. . The croon sample on “Entitled” encourages everyone to make their next best move, but then “888” skips some strings and kick and snare to talk about being born to shine.
“One of One” breaks into spacious boom bap turf that breaks down her uniqueness, while Ox Omni’s “Right Back” fuses kick and snare with a climactic orchestral flip that talks about sending shots back to where they came from. place. “Judas Kiss” ends the record by admitting that she’ll never know if it was all worth it, and that even knowing some people have tarnished her reputation, the rose is still growing.
The trilogy of EPs we’ve gotten from Chyna over the past 6 years, each one showing her artistic progression, and From Hell to Chanel comes full circle to this point, and I can say it’s the best she’s done so far The most consistent work of mine. personal idea. She has grown as a songwriter, and 183rd’s output is noticeably smoother than her previous work.
Score: 8/10
