Daz Dillinger is a 52-year-old rapper, producer and songwriter in Long Beach, California, who happens to be Brandy’s cousin, her brother Ray J, WWE Hall of Fame Snoop Dogg and current AEW TBS champion and RPW women’s champion Mercedes Morcedes Moné. Eventually, he signed the record for Death Prisoner and became the original in-house producer under the guidance of its co-founder Dr. Dre, which soon formed Tha Dogg Pound with Kurutt. Daz finally made his debut in ’98 by taking revenge, avenge and re-boarding the death row until he quickly left his 19 records. Last spring, we just got Dogg Pound Gangstaz back with Wawg (which we all got) and his 21st album looks like it will restore it to the essence of his own debut.
After the “Level 4 Yard Bizniz” intro, the first song “Death Row N’Matez” by Tha Dogg Pound featuring RBX & Soopafly was a funky west coast hardcore hip hop intro with all 4 of them justifiably showing off their status as OGs of The Untouchable west coast label whereas the soulful “Calculate the Time” talks about the chosen few who’re simply too cold. “The West Coast is the best coast,” the huge state of sunshine is the most fulfilling since hip-hop developed his habit, and after the episode “Low Your Joker”, “set trippin’” advises those who are not in the same neighborhood as him to watch their own footsteps.
“Revenge and Revenge” says things that show that you’d better not be around his parts or around the city, bringing images of gang violence to life so that he can back up the warning message he sent before “Get Bacc” to let you know the exact moment when the gun started to reiterate, he’s been living with the gang and then with the gang forever. “Start BACC BANGIN” features the poems of the late Big Skye, and found 2 links of modern G-funk atmosphere bent their crip straps, but then, “Let’s Come Entertainment” features B-Legit, which performs traditional G-Funk method with B-Legit for dedicated playas.
LIL’C style former LBC staff worked in more synthesizers with Diggity Daz so they could miss the guys they gave them a sack in their life knowing they both worked hard until you signed on to the “Like Tha Dogg the Trap the Trap the Trap and the Trap and the the the the thrap use the the thrap” effort so you’re willing to do it for a while so you can work hard. “Fate” sample Jackson 5’s single titled “because he was born for it, and “In Dead Companion” attributes it all to people he didn’t have with us in his life.
The “reason” is a cloudy G-funk crossover that crashes, why he’s been using to grind purposes, and “The Homie Daz” once again pulls from the trap music to tell anyone that he has nothing to him, because he has nothing to him, because he has nothing to ya, so he’ll bring them to someone else. “Chitty Chitty Bang Bang” reenters G-Funk Turf and talks about the gangster lifestyle he lived in his youth again, “Mental Crazy” completes revenge, revenge, revenge and gets 2 powerful reflections of mental health, explaining the stigma surrounding that tactile theme, it’s hard to get help in absolute circumstances.
It’s no secret that the vast majority of Daz’s solo material since the DPGC: you know what I threw, either being actively received, like the So Gangsta & Dazamataz supported by So So Def recordings, or splitting So Gangsta & Dazamataz in the Dayz case or leaving the head of the West Coast. Instead, Revenge, Revenge and Get 2, it’s a worthy sequel to his album with a solo performance. His work draws clues from the past and present of the West Coast, getting a more consistent guest list than in the adventure of Dilly Tha Dogg just 6 months ago, who performed at the same level rather than constantly excelling.
Score: 8/10
