This is the second collaboration between Las Vegas, Nevada Commander Oujja MACC and New York recording artist Ricky Hil. The latter appeared in the Cloud/Emo Rap scene in 2009, and the other was the CEO of the psychiatric record subsidiary, Chapter 17 Records, who is the only other artist on the tag, and is almost the current decade besides the streets of the Crazy Joker Posse itself. Ricky recently shouted “Olympics” on Playboi Carti’s third album Music and once again linked to Ouija to record a sequel to “Problem Children”.
The title track produced by Devereaux began with the two of them giving everyone a middle finger and spraying the walls with blood on the guitar trap instrument, and the “upside down” routes are increasing, thanks to formerly excellent Charlotte guitarist Billy Martin and Ouija’s Ouija, who provided support to the manager of Don & Wicked Clowns in psychopaths. “”Until I’m dead,” discovers the couple talks about staying in their last breath, and “fucc’em Up” blends hardcore hip-hop and traps, thanks to 808 Mafia Mafia co-founder Lex Luger.
Sosmula’s former city morgue (Sosmula) joined the kids of two questions on “tavernity trinity”, introducing a new underground supergroup to the trap metal beat, causing “ginseng” to talk about death knocks and eventually answers them. “Veals” bring back the trap metal explosion, so they can solve the theme of death before the “feel” conversation of the internal emojis speak to achieve their own life.
“Crème Brûlée” has the weed they smoke sweeter than the desserts before “Nightmare Boyz” because they are not legal competition in either eyes, because they are not legal competition in either eyes. “Pray 4 Me” finds that they both discuss 0 sympathy for the enemy, because life itself is the whole tragedy, but then “Buffalo Sauce” shows an interesting back-and-Ford Chemistry.
As for the “Storm Winds Falling”, we let Ouija & Ricky talk about death calling again’em, and it all went out eventually, while the “Battery Low Warning” suggests enjoying your emptiness as it will be as good as possible. “I May Rotten” shows the influence of an emoticon rap, talking about “Storm Rolling” again has nothing to gain, admitting pain swallowing them again. “The Moon Through Bantu Louvres” ends the drum, part of which feels like it’s in a pit of hell.
The entry-title record LP is an interesting marriage between Ouija Macc’s horror twists on Soundcloud Aesthetics and Ricky’s Cloudy Emo Rap Hybrids, and since Ouija last teamed up with Ricky, he has returned to another level after 3 years. Their respective styles are back and blended together again, bringing every redeemable quality of their predecessor to a newer level.
Score: 8/10
