Here we have the 24th Studio LP from New Orleans, Louisiana rapper, songwriter and record executive Curren $y. Starting with the unlimited record in 2002, he would then jump to the 2006 Young Currency Entertainment and Cash Currency Records, and eventually branched out with his own label Jet Life Recording in 2008. The man has since made a name for himself by dropping a handful of projects every single year with my favorites including the Harry Fraud-produced Cigarette Boats, the Alchemist-produced Covert Coup, the prominently Ski Beatz produced Pilot Talk series, The Carrollton Heist, the Lex Luger produced Motivational Speech, the Statik Selektah-produced Gran Turismo & Continuance to name a small handful. The last time I reported on Spitta, he had such a reason to record founder Jermaine Dupri products are for motivating purposes only and attractive to Never Catch US Singles.
“Drop Area” can’t start anything classic, as its luxurious trap instrument talks about turning blank paper into all sorts of things, while “checkpoint” can be achieved with excellent sound sampling, which improves scores more by selling Dope & Cheffs. “Dream Machines” featuring Premo Rice gets some laid-back jazz rap atmosphere, talking about their lifestyles that lead to Wiz Khalifa’s “airport industry” dreaming of something more refined.
Conway Machines and Rome Streetz joined Spitta to embrace Boom Bap Flare as “Money Magnet”, talking about their ability to attract paper before “Zack Morris Phone” and discussing the concept of perspective as Bruiser Wolf wolf Strips the Drums. “Tape” returns to the tip of the trap, refuses to work with Cowards and flies at the maximum sound until “True Lies” is Babyface Ray, Styles P&03 Greedo Uniting Uniting quartet talks about seriousness and coolness.
Fendi P’s “Wrinkle-free” hooks these strings and hats to the strings, showing their smoothness expanding, while the women are “320 Manors”, in which Dave East affectionately explains their first rule is not to say bad things to them. “The Whole Season” featuring Dram & Jay Worthy makes these famous synthesizers show that those who lie are not your friends, and “encrypted messages” lose themselves asking you for the top purpose.
Over the past decade or so, the past decade or so, the past decade or so, the past decade or so have shown the successive themes of the past fan favorite cigarette boats, stage, dock and off-roaders are the prospects. Almost every guest’s verses became correct, Spitta himself sounded focused and bounced eclectic between Boom Bap to Trap & Jazz Rap.
Score: 8/10
