This is the 60th EP/Producer Tha God Fahim in Atlanta, Georgia. Starting with the membership of Griselda Records, and 1/3 of it with Mach-Hommy and your old Droog, we can’t ignore the huge records he built for himself, some of the outstanding figures include the Walk Through Tha Van Allen allen Belts & Dust Assassins. But Dude has been running wild since 2023, with the outstanding being the dark shogunate assassin produced by camoflauge monks, and nature sounds very supportive of Iron Bull and Nicholas Craven dump legend: Soul Cook Saga produced by Cookin’Soul & Machine Gun vocabulary by Cartune Beatz. His second collaboration with Jay Nice last weekend’s EP Dump Gawd: Hyperbolic Age Room Rap 12 and Drega33’s return to produce the deadly weapon 3.
“Oppose Cereals” is an introduction to a piano-driven boom, talking about contrasting natural tendencies with murdered rappers on board, while the soul’s “grabs my eyes” turns into an unexpected yet passionate turn toward something in the lyrical bag. “Free Speech” embraces the jazz voice, showing his gratitude for still living on the ocean side, while “Slaughter” returns to the chipmunk soul secret to tell us about his life.
The song “DNA” gets the ball in the last 10 minutes of the deadly weapon’s fuses chipmunk soul and jazz rap into 1, and talks are supernatural, while “Footsteps” are talking about watching these chumps screaming in their own blood. “Every day” goes towards Chipmin’s soul, again suggesting that there are as many opposing people as attracting, and Croron’s “Championship Identity” talks about the right steps needed to be a champion.
Compared to its predecessor, the trilogy chapter sequence in The Legend of Deadly Weapons: Hyperbolic Time Room Rap 13, the most detailed entry in the series. The production of Drega33 is more jazzy than the Deadly Weapon 2, except that he clamps it with chipmunk Soul to the deadly Fahim behind it.
Score: 8/10
