This is the fifth studio record from Las Vegas emcee Ouija Macc. Signing to Psychopathic Records shortly after Insane Clown Posse independently released their debut EP Trashfire in the fall of 2017, Ouija exploded onto the scene. Since then, Ouija has proven himself to be one of the greatest solo performers, releasing his last 3 full-length albums. , 2 greatest hits compilations. He even started his own label, Chapter 17 Records, and had big guy HEXXX be the first signee to release his first two classic west coast evil shit albums, Demon Season and Tales of a Cursed G, and then All contractual obligations with the Psychopathic subsidiary were amicably fulfilled last fall. Darby O’Trill is now the only C17 artist other than Ouija, having collaborated on the brilliant collaboration “Anemoia” back in April, and is releasing “Darcc Planet” from the darkest work of his career. Psycho Babbel”.
“Maxwell House” considers the signal beyond the cold trap instrumentals we know, while Devereaux says it’s not for bustas while “Clown Curse” takes a more hypnotic bass-trap route to talk about the curse of evil clowns. “Kicc da Wiccit” harkens back to the days of Dr. Dre’s debut album The Chronic, with its g-funk sound kiccin’ da wiccit shit lives up to the title, but then “Absent Minded” delivers a morbid The trap flares like a damn ghost wondering where his thoughts went.
On the single “Fire Buggalo,” released earlier this week, which features a clip from Ouija’s performance at this year’s Juggalos gathering, we can see Ouija himself talking about burning shit against a gruesome backdrop. Hi-hats, all provided by Brian Kuma and Devereaux. ” In the unsettling “New Rune Coming,” people are warned to listen to their moral values.
Featuring Darby O’Trill, “Hell Raiser” gives off a trap metal vibe that boasts the kind of band you’d put on Instagram without even being too much of a plea to fix your face with a straight razor. Helping everyone out, and thus getting into “The Great” Autumn slipped into his storytelling bag, explaining to us all how the floor started to crack while he was out cold on the couch. “Ain’t It Mane” sullenly throws out his cast, showing a disregard for what they have to say, while “Another Summer” talks about spending the titular season in the hellish pit of Ghost.
At the beginning of the last section, “Hatchet on my Dresser” once again expresses C17’s respect for the Memphis hip-hop scene that represents psychopathic, while the psychedelic “Let’s Just Ride” ensures that everything goes smoothly. “BIDNGAF (Bitch I Do Not Give A Fucc)” aggressively ensures he gives 0, while “Pazuzu,” named after Professor Farnsworth’s gargoyle in Futurama, is a mix of samples and hi-hats , causing a commotion. Summoning Damane ends on a darkly captivating note, talking about people knowing his name.
It’s only been a few months since Darcc Planet quickly became my favorite Ouija Macc album (second only to Stalewind) and he’s been consistent in that he always strikes a balance between quantity and quality, except for me in His artistic evolution has been documented in detail over the past 5 years. You can still feel the Insane Clown style of SoundCloud trap aesthetic mixed with the more recent trap metal sounds, and there’s even a chance for g-funk to lead the new wave of juggalos he’s spearheading.
Rating: 9/10
