Merkules is a 32-year-old rapper from Surrey, British Columbia, Canada, who has rhymed with Merk Mikz’s name since he was 15. Later, he became the hype guy for the Ripper to start his career a decade ago, and since around 2011, he has released a total of 7 albums and 3 EPS. After the record label’s original artist and WWE Hall of Fame Snoop Dogg acquired the Death Row Record in early 2022, the first artist signed under the resurrection umbrella was Merkules, who brought the majority of the deaths produced by C-lance Rod Row Peput Peput Peput Peput Peput Peput Peput Peput Peput Peput Peput Peput Peput Peput Pele Arter Arbeit at arbeit arbeit studio ls lp lp.
The title track aims to convene his introduction as a member of the Unshakable Death Prisoner Competition and uses drum-free piano instruments to talk about remorse after surviving a near-death experience or traumatic event, and when others die, the “loser” uses tools as a means to discuss one’s failure. “Growing Up” is the only track without C-lance behind the board and one of only 5 captains here, but the subsequent acoustic trap mix “Blast Off” started in the past as if it was removed.
“Mom Trying” keeps the downturned guitar in folded form, preferring the booming bap burst, saying how his mother tried to best raise her into the “wassup” of G-funk influence, they were with Nhale with Tha Row and Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of Hooks of “Going Out Here” featuring the classification is a very dusty chipmunk soul collaboration every day, but then, “Glory to God” is thrown by Dax’s Corny ass, throwing the worst guest poem on the whole thing.
The elements of rock and trap are once again blended “inside out”, acknowledging that this is his current psychological feeling and featured Shaquille O’Neal head in a direction that is cloudier so they can talk about bringing it to the doorstep of anyone who wants beef. “Bawse” of “Bawse” saw both MCs return to Boom Bap and said they were through the element of surprise Smack Muhfuckas type, while “Forgive Me” asked God to forgive all the sins he committed in his life in that moment of his career.
Since the Easter Weekend on 4/20 and the 2nd day of WrestleMania XLI, “Smoke” features Afroman clouds dedicated to all the plaster, just before “A pair of Chucks,” Daz Dillinger showed off a brand new kick-off, who took them all in a numerous West Coast instruments on the West Coast. Brotha Lynch Hung and X-Raided’s “Fighting Music” showcases three people, the edge of ready to reach out, while the evil Ebenezer’s “All Illow” talks about the only thing they are familiar with and knows they have to change.
D12’s Detroit veterans Kuniva and Swifty McVay both joined Mercles in the booming “Big Bad Guy” and refused to fake funk, while “Bitch” “Bitch” featured a topic of Chris Webby, with Chris Webby talking about always keeping ammo and having to speak only when filming. “Safe” embraced a rap rocky atmosphere, just needed some Kush and his wife beside him, while “Dear You” expressed his gratitude to him for his riding or dog’s chick.
“RWTR (Ride with Reapers)” features the B-Real arrangement, which again raises about driving at midnight while driving in death beside them, while “Mirror”‘s “Mirror” makes its mark in the name of Ricky Hil, while His & Ouija Macc’s second collaborative effort Questioning Children 2 talks about having conversations with their own conversations. The “Champion Ring” brings London in October to the hook, talking about coming out of the bottom and finishing with Dizzyisdead the debut of Merk’s untouchable death rod on some Emo Rap Shit.
Starting a luxurious run, “My Mind” airs acoustically the people he has been envious of his success throughout his life, while “twisting” that include jelly rolls, numbing their stomachs and drinking. “Lowkey” shows off their chopper capabilities with Twista’s strong display and keeps pace with the Chicago veterinarians, while “Yeah Yeah Yeah” who puts in Mobb also features $HORT.
“Time” passionately shows 0 tolerant tolerance, while Tryna puts him down, while Jennings talks about hearing the “voice” of shit in their heads. If you have a “6:00 News” with Chris Webby’s “6:00 News” (6:00 News) at “6:00 News” there will be a murder or a “homicide” of 2 murders to warn the murder, or 2 murders, both of them lose their minds.
Caskey suddenly appears a verse during “revenge” so they can tell everyone to show their faces and give them the space they need, while Rittz’s “Better Isport Insport” mental health talk improves themselves, and everything seems to be drowning deep as people develop. “Don’t Like You” featuring Hopsin reflects on everyone who tells them that they currently have no artists talking about positions that never fall off in “How You Feel”.
“Woodstock ’99” asks everyone to be crazy than the festival held in the summer of 1999 and makes it the best night of everybody’s life, and “nerve” just talks about him going to party until it’s painful and hurting on his fingers due to blowing money. Benny The Butcher’s “Need Me Now” observes people who need them more than ever in their lives, and “In My Sleep” features games, and the game rides around the city.
Keeping the extra freshness, “Hollywood Hill” lets everyone know where he can find him because he has signed up for one of the absolutely notorious record labels in the entire music industry, and “I’m here” explains that he’s only afraid of God. “Inferno” confessed, frankly, “The Title” asked you what you would expect after a psychologist like him.
“C’est la Vie” talks about the growing problem getting bigger due to the growth of money, and since he fell to the bottom, “Pat Forever Offer” remembers the outstanding Pat Stay of the later battle rap. Conway’s “DNA” machine talks about sleepless nights, bringing them to their location in 2025, and the “Do You” corpses warn that if you are too arrogant around you, the corpses will fall.
Millyz remembers in the first game of 2 appearances as “disgusting” that when others say they don’t have shit, they are basically afraid of the way to succeed, and the “comma” talks have a lot of problems and want to pile up the paper higher. For those who like to smoke, “cigarettes” will also be more pleasant because I don’t like tobacco and “still he” is talking about the remaining hunger in his heart.
“Far Away” apologizes because he doesn’t invoke his reasons as intimately as he usually does and avoids facing the fuck he creates when he’s “everywhere”, talking about uncertainty about where he’s afraid in the psychological prison inside him and feeling scared. The “escape” featuring Phix contains a real escapist theme, and even if Phix always stands out, I personally stand out like Dax for me personally, and “Ha ha ha ha ha ha ha” provides footage for trying to make something more exciting.
As for “My Shoes,” we have Merkules talking about feeling overwhelming due to his godly flow, while “Outs & Downs” explores the feeling of the basement, worthless at the bottom of the rock and sees changes immediately after accepting one’s own flaws. The “Western” shifts for the sun’s state and has more flowers, and the sun also supports the G-shaped, and the affectionate prosperity bap cross-border “good kid” reviews his childhood without causing any trouble.
“No Help” denies the notion that anyone is helping him, because he doesn’t want to self-destruct and wants to know where everything in his life is, and “Light Camera Action” thoroughly articulates that his success didn’t happen overnight. “Give me a $IGN” talks about not trying to break and find new ways to numb because he only has so many, and “10 Toes” promises to stay eternal.
The longest two JCW World Juggalo Tag Team Champion The crazy clown Posse “swish” shown on shaggytheairhead only makes sense, it makes sense, it makes sense, it makes sense, it is Merk, it is the shortest JCW World JCW World Juggalo heavyweight champion Shaggy 2 Dope 2 Dope & JCW Commissioner Jcw commission jcw and the holly for n ofly to n of the y Mind of y Mind of y Mind”y Mash y Mind”’ In the current moment, who has gone through tough times in life. “Never come down” is at the height of Millyz’s conversation and never imagined they would joke with other bitch-made artists when “switching lanes”.
“No Hook” talks about the death row logo plausible to show that in recent memory, everyone who has been following him, who he fucks, and “cory & trevor” is likened to two characters of Trailer Park Boys on Netflix as Lil Windex of All Fucks. “Mom, we did it” and assured his mother that he was finally making a successful artist wholeheartedly, with the final bonus track “Self-Intervention” standing out, not Diss.
His personal introduction to Merk appeared on Tech N9ne album Enterfear a month after the start of Covid-19 lockdown, while all 24 songs in his final version of Death debut were added with 46 cut-off shots, and the floor of the cut-off room was better than I thought. C-lance nailed into making survivor guilt the most elaborate product on Mercles Records, giving him and most guests plenty of room to enhance enjoyment.
Score: 8/10
