Here are 12 LPs from California Royal Commander Larry June. Someone who’s been quite busy for almost 2 decades his last 11 studio efforts as well as 14 EPs & 7 mixtapes with the highlights of his ever-growing discography including the Lex Luger-produced Trap Larry, the Cardo-produced Cruise USA & it’s sequel Into the Late Night, the Harry Fraud-produced Keep Going & more recently the mobb music-influenced Jay Worthy collab effort 2 P’z in a Pod, The Alchemist made Great Escape and Night Shift. His previous album For Me just appeared 11 months ago and he hoped to connect with Cardo for him to produce until the evening arrives.
The first song “The 50s” started all of this after the introduction of “Uncle Freedom Sherm 6”, which showed everyone the way he was messing around the bay, and “Black Man” leaned more towards G-Funk when it comes to SOUND Givin, because Sound Givin’s fucking fucking said less about him. “Meet Me in the Port” featuring Black C, I found these 2 smoothly did everything they wanted to do, but then we got the office off of the off of there of thos of others.
“Organic Free Range Chicken” finds itself capturing WS & Mobbin’s on all these ho heads, but after the “Cardo’s Groove” episode, the E-40’s “Ya Feelfe Me” makes Mobb’s impact higher, the higher talk on Feelin’s ‘benefits of Feelin’ Effection’ and makes several big stacks on Em. “Must Love” is a nighttime G-funk atmosphere, the tellin’ how his girl’s flight before “unda on the unda” portrays herself as a pimp, suggesting that the chick slip away from the store’s shoes.
To make Don Toliver’s final performance of “100 Bags” a psychedelic pop rap cut in response to their partner, asking where they are, and “Snow in Canada” soulfully boasts that he speaks like a boss, like a walking like a king. HBK & Payroll Giovanni’s “Still Game Resident” finds three people talking about doing things that others can’t do, and Richie Rich & Wiz Khalifa’s title track wraps it up with Mobb Outro.
Standing in my case, I do compare to the Big Escape or Night Shift, but, I do enjoy it, like the wonderful collaborative effort Larry June did at 2 Chainz produced in February at Alchemist in February and the last solo about 2 years ago. Cardo’s production regained the Mobb/Trap fusion, which set his previous materials apart from Larry and made a slight improvement on the guest’s choice until the evening arrived.
Score: 9/10
