Damon Dash could lose his right to his cult classic film National Property and other precious assets as California Court weighed the request to auction its intellectual property and personal property due to years of legal violations in a painful lawsuit with filmmaker Josh Webber.
The legal showdown stems from a long-standing dispute in the 2019 film Dear Frank, which was allegedly misrepresented as its own project after being removed from office.
The legal battle ended with a $805,000 ruling in 2022, which is related to copyright infringement and defamation with dear Frank.
Damon Dash was found to be liable after failing to attend the mediation, losing the court deadline and refusing to submit the required documents.
The consequences have since rolled in, including a $4 million defamation ruling in 2025 after Dash publicly called Webber “D*** Head” and accused him of stealing while appearing on the _EARN Your Loasure_ podcast.
Weber claims the comments led him to a $4 million mentoring agreement on the Billy Bob Thornton project.
Now, Webber and his company Muddy Water Pictures require court authorization to sell DASH’s assets, including copyright to state property, Honors UP and Untable Able -Touchable Mrable Mrable’s films to recover unpaid attorney fees and damages.
The plaintiffs said Dash and its companies, including Poppington LLC and Dash Films Inc., have repeatedly ignored court orders since 2019 to hand over financial documents and other discovery materials.
Damon Dash’s violations remain despite the advance sanctions on the currency, according to court documents.
The plaintiffs felt it was necessary to impose tougher penalties, including forced sale of their intellectual property and personal belongings, such as Roc-a-Fella chains, engagement rings, and a range of gold and diamond jewelry.
The court was asked to force Dash to hand over all relevant documents, including operating agreements and ownership records, so the U.S. Marshal could make the sale of assets.
The film is at the center of this potential loss, state property, that held a major position in hip-hop cinemas in the early 2000s.
This gritty crime drama was released in 2002.
The film was produced by Dash and became a cult favorite for its portrayal of street ambitions and its in-depth connection to the hip-hop world. It also spawned a sequel and helped Cement Dash gain a reputation as a cultural taste producer in urban films.
However, this legacy is now in equilibrium.
Plaintiffs targeted DASH’s business entities – including BlackRoc LLC, Dash Group LLC, Lebanon Improvement LLC, Ocean East Revisments LLC and 1996 Songs LLC to meet the court’s judgment.
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