Here we have the 11th studio LP from New York emcee/producer Aesop Rock. The man generally respects his huge vocabulary, both in his solo catalogue or members of groups like Hail Mary Mallon or Malibu Ken over the past few decades. As far as his solo: I recommend his sophomore effort and definite Jux Records debut on Labor Day, his second album with Rhymesayers Entertainment, where Aesop has been home with him for more than a decade. Blockhead has completely produced junk learnt to be well-received and comprehensive technical solutions, and soon gained the same love, which is impossible for kids to return to the black hole super parts.
“Secret Knock” opens a shop through a quirky and future self-made instrument, suggests walking with him and opting not to send any signal, while “Checker” works in the theme of abstract consciousness, the space environment, elements of Boom Bap & Illbeent, which gives them promising potential customers. “Movie Night” presents the boom effects, talking more about his blue-eyed dog and his cat, and then explains in the synth-driven “EWR – A-Terminal A, 20 Gate 20” that the current destroyers are now extraordinary.
Armand Hammer works with Aesop to blend their consciously abstract pens with Rap Rock/Boom Bap Hybrid, and “whether that’s it), the open Mike Eagle is characterized by 2 chapters, finding these 2 suggestions don’t look, sit down and let things stand still. “Send Help” takes the thriving bap approach of jazz, his voice and nerdcore simultaneously bring lounge music in the fold brought by “John Something”, recalling a man named John who met WWE Hall of Fame member Muhammad Ali 30 years ago.
“Ice for sale here” intricately describes his indifference in many different ways, while the stylish “Costco” talks about a large-scale warehouse club retail store run by multinational corporations with only memberships. “Bird School” spins the fanatical bap of prosperity, boasting that his witchcraft pops up in the atmosphere and everyone else’s practice, but then “Snail 0” wonders what he should do with so many snails.
Lice, along with Lupe Fiasco on “Charlie Horse”, warned that everyone on their way should be as clear as possible from the streets, while “Steel Wool” reflects paired grains and comics from the 1980s in order to shakyly in the war room, radiating the peculiar boom atmosphere. “Black Plum” raises the theme of gardening, which is to appreciate his fruits getting fatter and fatter each summer, becoming a matter of one minute, while “Red Cell Phone” talks about becoming the guardian of the key.
“Himalayan Yak Chew” pushes further down the last 10 minutes or so of the album describing fish jumping in his boat whenever he pushes off of the dock without even getting a single duck in a row in addition to having a horse in the way when he gets his car without having 1 in the race & “Unbelievable Shenanigans” featuring Hanni El Khatib on the outro recalls a hamster he had almost 4 decades ago named Elizabeth as well as talking about the universe (if not the silver lining) stuffed the compartment.
Deeply delving into the invisible powers that shape our lives and psychology, Black Hole Super will be one of Aesop Rock’s most accomplished fields of work on his entire record. The experimental complex structure of his beat draws further inspiration from the temptations of space, moments of prosperity, jazz rap, rap rock and regret, as his conscious abstraction and occasionally from a mad scientist, is portrayed by larger images of those little moments in our lives.
Score: 9/10
